📚 Yuanshen Haikua — a Qing-dynasty endgame manual
Count the pieces and few would believe this position can be drawn: Red has exactly four fighting pieces left — two chariots, one cannon, one pawn — while Black keeps almost the entire board: both advisors, both elephants, two knights, two chariots, two cannons and five pawns. Yet Uyên Thâm Hải Khoát records the verdict: draw. The name borrows the image of Bodhidharma crossing the Yangtze on a single reed — a Zen legend told in the anecdote below, where the patriarch answers Emperor Wu of Liang's proud question about merit with one famous, freezing sentence. Few against many, weak yet unbeaten: that is exactly the problem Red must solve here. Holding Red, how would you secure this draw?
一本の葦で大河を渡る――達磨と「功徳なし」という答え
梁の武帝――寺を建て、像を鋳し、供養を行った規模で当代に並ぶ者のない支配者――は、外国の僧を誇らしげな問いでもてなした。「私はこれほど多くの仏の事業をしてきた。どれほど功徳を積んだか？」返ってきた答えは長江の水面のように冷たかった。「功徳なし」――「聖なる真理の最高の意味とは？」「廓然無聖（広々とした空虚。聖なるものなどない）」――「朕の前に立つ者は誰か？」「知りません」僧は向きを変え、一本の葦で長江を渡った。彼は誰だったのか？ まず標識をはっきりさせる。この有名な一連の話全体――梁の武帝との対話、葦渡り、少林寺で九年間壁に向かって座ったこと――は後世の禅の伝説であり、『祖堂集』（952年）…
Stories around this position — storytelling, not part of the engine-verified content.
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